Meandering Mind
Thursday, August 5, 2010
Migration
The site is:
www.jtraffic.wordpress.com
Saturday, July 31, 2010
The Clean Bowl Club
Synopsis: A trick for shared kitchens
Every time I see a handwritten sign in a college dorm, usually taped above the sink, with an admonition "please wash you dishes," I take a moment to appreciate the futility of such an effort. There are couple of ways to think about the problem of dirty dishes in a shared kitchen: prisoner's dilemma, a public good problem, and an externality model. The simple version is that it's not a great strategy to do all the cleaning, because other people will take advantage of you. Since the incentives are lined up this way, solutions can be hard to find. You could try and impose costs for dirty dishes, or try and make the culprit leave the apartment. Often roommates try to impose costs by yelling at the offender, or by putting dishes in that person's room or on their bed. Some of the most gossip provoking drama arises from just this type of action.
One of the above ways of thinking about the problem gives a pretty good solution. I'll explain the boring econ in the notes1, but to cut to the chase, establishing ownership of dishes is a smart solution. You can establish ownership of certain dishes by separating them from the other dishes. Putting them in an unorthodox place makes them unlikely to be used by someone who doesn't respect the ownership rule. If you stash the dishes you always use, you'll always have access to clean, free-loader-proof dishes. One important detail is to aim for having only one dish of each kind, because it forces you to clean it whenever you use it.
Now, if you feel bad for deserting the rest of your roommates via this idea, you can always wash some extra to assuage the guilt.
I've found that this solution is extraordinarily effective on the mission, and in college.
Notes:
1. Public goods are defined as goods that are both non-rivalrous and non-excludable. Non-rivalrous goods may be easily used by multiple people at the same time, and non-excludable goods are available to anyone, with no way of effectively preventing any individual or group from using them. When these two criteria are met, free-loading occurs any time someone is silly enough to produce the good, because everyone and anyone can use the good without paying. The Clean Bowl Club essentially makes "apartment cleanliness" excludable to anyone but the user of the Club. Notice, "clean dishes" is rivalrous in the first place, which means it isn't technically a public good, but "apartment cleanliness" is non-rivalrous, making it a public good. In application, non-excludability alone produces free-loading in the "clean dishes" case, which makes its elimination crucial. In the "apartment cleanliness" case, since The Clean Bowl Club only achieves rivalry, the problem is not totally solved; the apartment as a whole will probably look messy, but those in the Club have excludable clean dishes.
2. Doug Clark, a roommate of mine who had independently figured this solution out, gets credit for the name "Clean Bowl Club."
Thursday, July 29, 2010
Farmer Subsidies and Similar Things
Labor unions also make me sad. Just like farmers, union workers are well organized and highly interested in their cause. In essence, union workers are subsidized just like farmers, though not explicitly.
Let's compare the costs/benefits of the president of BYUSA with me:
Tuesday, July 27, 2010
Critics
Everybody's a critic, goes the line. Well, me too. I follow critic sites quite a bit, and while critics often vary broadly in their reactions to media, they also follow some general trends.
From Pitchfork.com comes the following explanation of critic trends:
"If you're one of those poor souls who while away the day job by keeping a scorecard of music review sites, there's one thing you already know: There are two distinct groups of bad albums. The more prevalent kind is the fodder that fills a critic's mailbox, bands with awkward names and laser-printed cover art that don't inspire ire so much as pity. The second group is more treacherous: Bands that yield high expectations due to past achievements, yet, for one reason or another, wipe out like "The Wide World of Sports"' agony-of-defeat skier.
Often, these albums are bombarded with website tomatoes for reasons you can't necessarily hear through speakers: the band changes their sound and image to court a new crossover audience, perhaps, or attempts a mid-career shift into ill-advised territory. Or maybe they start writing songs about Moses in hip-hop slang. But sometimes the bad album in question is none of the above; it doesn't offend anyone's delicate scene-politics sensibilities or try to rewrite a once-successful formula in unfortunate ways. Sometimes an album is just awful. Make Believe is one of those albums."
The first trend is that critics kill copycats. The job of a critic is to know enough to be able judge novelty. The converse of this rule is probably true very often as well, namely, critics praise originality. Notice that critics seem to resort to their natural sensibilities rarely, only in extreme cases.
Critics do indeed pay attention to execution, that's for sure.1 The awkwardly named bands, users of laser-printers for their cover art, are referred to as "fodder" producers. I think the real key behind this idea is that of intention. Critics ask themselves the questions:
1. What about this media is good?
2. Can the artist correctly answer question 1?
That criteria is probably good, since it measures reliability.
One of the stronger trends in the world of media criticism is the acclaim of new material, or re-released material by already established artists. Look at the all time best albums on Metacritic.com, for example, here's a link. In the top ten, there are several re-releases, a couple of compilations, and a couple of come-backs. The artists are Brian Wilson, Led Zeppelin, Nirvana, and Loretta Lynn. Soon to be added to the list is an album by the Rolling Stones. This trend makes a lot of sense, of course. All of these bands have influenced modern bands. It would be inconsistent to criticize them, because critics use them as measuring sticks. They are ostensible pioneers of particular genres.
Tuesday, July 20, 2010
Ideas for Products
"Thank you for contacting Smith's. We are currently testing a portable scanner that the customer may use as they shop. Hopefully in the future you will see this technology in your store."
Monday, July 19, 2010
Flexible Thinking
For example, [subjects] might be told that some objects are green and others blue; but still other objects might be grue, meaning green until the year 2000 and blue thereafter, or bleen, meaning blue until the year 2000 and green thereafter.1